remember often a sign we saw at the Tate Modern in London last summer, Exposed , which by the way the friend One dedicated one of his great innings. It was actually an exhibition of exhibitions, giant, divided into thematic areas and work of numerous artists, always around the fuzzy boundary between starts and ends where the right to look to others and show after what has been looked at, and stuck with the camera-to anyone who wants to see, without having sought permission from the person or persons under his eyes. And the image that was used for the poster is very expressive: Greta Garbo was refusing to hand paparazzi stalkers.
I bring this up because as a blogger who likes to shoot intruders on the street and as unrepentant voyeur ethical discussion that interested me questions sometimes arise even with images borrowed from channels informal, for example, an entry in a long time used the photos, very erotic, a model frolicking naked with a huge toy, the boy, who was French, I wrote a comment asking me to withdraw the pictures because he had caused a serious problem with his mother, to my horror, because I read the comment long after the truth it saddens me because it was a kind of SOS, but then I discovered that photos of the session had them hanging in his social networking site! -In the light of even the non-aggregated , where incidentally is also the one that I attached. And then there were references to a renowned photographer, or that I deleted the scruples of a sudden.
TIEMPODESPACIO .- JAVIER ALVAREZ
In the present case, that of the pictures we took of the boys from the changing of the guard of the Greek Parliament, what strikes me is that profession seems to be the same, just to be full time Exposed , ie exposed to permanently popular curiosity, and of course the thousand and one pictures and videos of tourist activities that have overcome overwhelming without a blink. I thought, with all this might seem archaic ritual, modern rabidly so precisely by way of assuming that you have to show the it should be completely quiet, as it concerns matters of defense, although I know that, as in London, perhaps the greatest single reason to subsist this colorful tradition is very old and that exposure to the public, the gesture for the sole purpose now is being contemplated and perhaps admired.
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